Monday, November 10, 2008

somebody's patti scialfa

I'm supposed to be writing an essay right now (that's right, an essay, that beast I fought for the last four years but apparently have yet to slay). I'm also supposed to be writing the third chapter of a "novel" for my fiction workshop (a novel that I conjured up the night before my first class back in September, and a novel that I've been molding out of garbage for weeks, and a novel that will likely stop at the end of chapter three and never see the light of day once this workshop finishes up). I'm also supposed to be running, running always, in prep for that December race I love so much (they give us free egg nog as consolation after the snowy 10.8k, and that's a great deal in my books). I'm also supposed to be managing my budget, budgeting my time, and timing my breaks.

But I don't want to right now. I want to take another break instead.

The Worst Songs Ever, and Why I Love Them Anyway, Jerks

"Sad Eyes" by Bruce Springsteen (from 18 Tracks, 1999)

This is one of the laziest, safest, and most boring songs Springsteen has ever done, off an album that's barely even an album. He sings like a little lady, the arrangement is saccharine, and the lyrics are fortune cookies. But the first time I heard it (on an episode of Dawson's Creek) I knew that I was hooked. Embarrassed to admit it, but hooked. It happened in season 2 of DC, during the awkward but not entirely regrettable Andie+Pacey plot. The late-late nineties. It was an easy time, a hopeful time. It was a time before James Van Der Beek disappeared, and before Joey Potter bowed down at the temple of Xenu, and before anyone had even dreamed of a 90210 remake. It was a time when good things could happen, as long as you believed they could. If you wanted a boy to climb up the trellis outside your bedroom window, declare his love for you after tumbling onto your floor, and then kiss you while holding your face in both hands (Pacey Witter style), then, yeah. It was possible. Everything was possible in 1999.



"Have A Heart" by Bonnie Raitt (from Nick of Time, 1989)

Because my dad used to play this cassette all the time when I was growing up, before I learned how to tell the difference between shitty music and good.

"Only You" by Yaz (or Yazoo, if you prefer. From Upstairs at Eric's, 1982)

I was going to write about that one scene in The Office Christmas Special, you know, those ten heartbreaking minutes at the very end that always send me into projectile weeping, but this really doesn't even need an anecdote. It's a good song, seriously.

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