But what the hell is CNF? During the first class, our writer/leader/preacher gave us a rundown on the wide range of writing styles that qualify, but was quick to footnote that Sedarisisms don't count. (She went on to compare reading his books to watching a stand-up comedy routine; according to her, when you're finished with both, you've had a laugh but the experience isn't memorable or meaningful. She said this with a perfectly straight face, no Sedaris-style sarcasm evident, and my heart dropped.) So, it isn't humour. It also isn't editorial, journalistic, academic, or "too" creative. The great range of CNF shrank quickly. I realized that I was left with only too options: dry, or soaking wet. Either very social, or very personal. Deeply topical, or glorified blogging.
I'm not sure I can do either.
Blogging is one thing (anonymous to a degree), fiction is another (nobody really knows what's real and what's not), but committing intimate details of one's life to paper and then handing those papers out to other people (friends, writers) for them to workshop just feels a little too raw and bloody for me. "Leslie, your life has a pacing problem on page three." "Leslie, your life just wasn't believable enough at the end." "Leslie, your life didn't really grab me from the start." Moreover, what the hell am I supposed to write about that can sustain itself for fifteen lag-free pages? Boy problems, 'betes problems, sad things, happy bits? "Creative non-fiction" is so far proving itself to just be a pseudonym for "grade 7 diary".
I'll stick with fiction, thank you.
* I just found a word document on my computer called "high school writers craft poems variety". Although I don't remember writing them, or if they ever made it off the safety of my hard drive, these two aren't all that shitty. They're actually pretty neat (one even rhymes!) Maybe I'm being too hard on poetry--it might be a gentle giant, after all. Now let us never speak of this again.
Joseph Cornell and The Dirty Little Secret
Box of big nothing
We look inside and wonder
But only you know
The Best Of
Scenery passing in a blear
Closing in on the end, hope drawing near
Feet moving quicker than the beat
Faster farther, never chasing defeat
Breathe, check, turnover, check, going, flight--
...
Stop.
Ground is tougher than might
The player's lost its needle but the album still spins
Pop! Hiss! Silence can't make will thin
Up again- legs meet motion, vinyl starts talking
A little bit warped but never, ever walking
Closing in on the end, hope drawing near
Feet moving quicker than the beat
Faster farther, never chasing defeat
Breathe, check, turnover, check, going, flight--
...
Stop.
Ground is tougher than might
The player's lost its needle but the album still spins
Pop! Hiss! Silence can't make will thin
Up again- legs meet motion, vinyl starts talking
A little bit warped but never, ever walking
3 comments:
you don't have boy problems (!)
in the past, i meant.
a memoir! with a moment of clarity at the very end.
You should read "The New Kings of Nonfiction" edited by Ira Glass. Like most things Ira touches it's pretty amazing.
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